By Pavel Shlossberg
The first ethnographic research of its type, the booklet examines how indigenous and mestizo masks makers, either renowned and elite, view and contest family of energy and inequality via their craft. utilizing facts from his interviews with masks makers, creditors, museum curators, editors, and others, Pavel Shlossberg areas the artisans in the better context in their relationships with the countryside and Mexican elites, in addition to with the creation cultures that tell foreign arts and crafts markets. In exploring the relationship of masks making to capitalism, the booklet examines the symbolic and fabric pressures delivered to endure on Mexican artisans to include and enact self-racializing stereotypes and the functionality of stigmatized indigenous identities.
Shlossberg’s weaving of ethnographic information and cultural thought demystifies the best way masks makers ascribe desiring to their practices and illuminates how those practices are encouraged by way of kingdom and cultural associations. Demonstrating how the perform of masks making negotiates ethnoracial id with reference to the Mexican kingdom and the U.S., Shlossberg indicates the way it derives which means, worth, and fiscal worthy within the eyes of the country and cultural associations that mediate among the masks maker and the market.
Read Online or Download Crafting Identity: Transnational Indian Arts and the Politics of Race in Central Mexico (First Peoples: New Directions in Indigenous Studies) PDF
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Extra resources for Crafting Identity: Transnational Indian Arts and the Politics of Race in Central Mexico (First Peoples: New Directions in Indigenous Studies)
Crafting Identity: Transnational Indian Arts and the Politics of Race in Central Mexico (First Peoples: New Directions in Indigenous Studies) by Pavel Shlossberg